Anthony Downey’s book is a timely overview of the art world’s involvement in politics and a good reference for academics interested in art’s potential to engage and even redefine politics.
The graffiti prank on the set of ‘Homeland’ is an act that represents a physical realization that the pop-culture canvas can be subverted even in the process.
This edited collection offers a holistic approach to an exciting field of research and contributes to the establishment of Pop Culture and World Politics as a sub-discipline of International Relations.
What can art do? What does IR care? Art and International Relations have so much to say to each other, if they only but knew it.
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