At 70 years of age the United Nations barely registers in the history of either the big or the small screen, and when it does the results are markedly unflattering.
Alexander J. Motyl discusses his new book, Vovochka, as well as politics, popular culture, and the subject of this satirical romp, Vladimir Putin.
The graffiti prank on the set of ‘Homeland’ is an act that represents a physical realization that the pop-culture canvas can be subverted even in the process.
Like Osama bin Laden circa 2000, Vladimir Putin, while real enough, is more a figment of our popular-geopolitical imagination, and one which we cannot live without.
The hit 2013 zombie movie ‘Warm Bodies’ offers a means of understanding counterinsurgency strategies, as well as a critique of such strategies.
While pop culture is not without its problems, it offers differing, potentially more accessible insights on the international that are not found in standard IR textbooks.
A common mistake when teaching popular culture and world politics is to overestimate the skill set that students will bring with them into the course.
Pop Culture stages debates on complex topics associated with the history of imperialism, geopolitical thinking and the relationship between territory, space and power.
Music and music-making can enhance a body of work that looks to de-reify received analytical categories of the discipline and thereby continue to enrich its key debates.
Åhäll’s volume explores cultural representations of female political agency and female political violence through the metanarrative of motherhood.
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