David Campbell discusses the United States’ identity in global politics, the representation of refugees in Australian media, and the role of visual media in international relations.
Perspectives of violence, visuality and disability help reveal ways of seeing in Kasmir and how the blinded body serves both as a sight and site of politics.
Snowdon’s book reshapes the political imaginary of the reader and re-evaluates protest videos as vernacular devices.
Dean Cooper-Cunningham discusses the benefits of using visual methods in IR, responses to Russian political queerphobia and the visuality of resistance and (in)security.
Using narrative feature film as a method of co-production, Harman brings feminist and decolonial works into conversation with the visual and aesthetic turns in IR.
Sophie Harman spoke to us about her BAFTA nominated film Pili, film as a research method, issues in global health governance and agency in feminist decolonial research.
Award-winning artist Edmund Clark discusses his work on state practices associated with the war on terror such as torture and extraordinary rendition and visual politics.
While the role of recognition in world politics is ever more acknowledged, the technological and visual aspect of this process requires much greater consideration.
Matthew Kearns discusses his PhD research on the relationship between military masculinities and recruitment practices in the British Armed Forces and visualizing war.
Prof. Lene Hansen discusses securitization scholarship, developments in discourse analysis, and the role of images and the ‘visual turn’ in International Relations.
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